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Jessie Gordon
Jessie Gordon is the managing director of Executive Performance Training (EPT) author of ''What Gap?'' and ''The Patient's Guide'' with a Dutch language version entitled ''Zo Praat je met je arts'' and creator of the PAC-Card.〔(Jessie Gordon, EPT )〕
== Early Life, Education and Early career ==
Gordon was born and grew up in London, UK. Her mother Beryl Gordon (né Beryl Valentine–Hagart) was English and her father Harold John Gordon RIBA (né: Hans Julius Goldberg) an Austrian refugee who left Vienna in 1938. Gordon studied Theater and Performance at Dartington College of Arts.〔(Dartingtong College of Arts alumni (now part of Falmouth University) )〕 During this time she performed and worked with the People Show, Edward Bond’s ''King Lear'' with Bob Hoskins and Jenny Harris's Combination at the Albany. Gordon gained her British Equity Card working as a deputy stage manager on plays at the Royal Court Theatre Upstairs in Sloane Square, London. She was the stage manager for the first production of the writer in residence Sam Shepard’s play Action (play) as well as ''Bird Child'' by David Lan. Gordon performed in avant-garde social/political theatre in the 1970s – 1980s, acting and touring throughout Europe. Most notably in the late 1970s and early 1980s Gordon collaborated, performed and acted for several years with The Pip Simmons Theatre Group. Productions included: The Mask of the Red Death (Edgar Allan Poe),〔Jac Heijer translated by Paul Evans, “Pip Simmons’s Poe is a parable of theatre art,” NRC HANDELSBLAD, September 8, 1977.〕〔Mickery Theater, An Imperfect Archaeology, Amsterdam University Press, pp. 236-237〕 Woyzeck (Georg Büchner) in which she played Marie,〔Chris Stuart, “Woyzeck in Cardiff,” Plays and Players, February 1978, pp. 28-29〕 The Tempest (William Shakespeare) in which she played Ferdinand, ‘Jessie Gordon’s all female Ferdinand, who, with her tensely-comic fear of the man-eating Miranda and her fluttering sexually confused half-gesture, is just about as perfect as could be'〔Peter Stothard, “The Tempest,” Plays and Players, July 1978, pp. 22-23〕 and appeared on the cover of Plays and Players April 1978 edition,〔(Plays and Players Magazines: 1970s )〕 We (novel) (Yevgeny Zamyatin),〔Ria Julian, “Pip Simmons’ We,” Plays and Players, December 1978, pp. 30-31〕 Towards a Nuclear Future〔Ned Chaillet, “Towards a Nuclear Future ICA,” The Times, April 30, 1980〕 (created by the Pip Simmons company). In 1980 Gordon played the Bass Guitar together with the actor and singer Colin Marsh and the lead guitarist Tsuneo Matsumoto in the rock band Flex. As support band for the Atomic Rooster's comeback tour of the UK, Flex appeared at the Marquee Club in London.
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